Brett Murray

2010
Goodman Gallery
Cape Town
South Africa

Mike van Graan’s Hail to The Thief Review
Lucina Jolly’s Hail to The Thief Review

2009
Crocodile Tears II
Goodman Gallery
Johannesburg
South Africa

2007
Crocodile Tears
The Goodman Gallery Cape
Cape Town
South Africa

Sean O Toole’s Crocodile Tears Catalogue Essay
Mary Corrigall’s Crocodile Tears Review
Sanford S Shaman’s Crocodile Tears Review
Chris Thurman’s Crocodile Tears Review
View Catalogue

2006
The Goodman Gallery
Johannesburg
South Africa
and
João Ferreira Gallery
Cape Town
South Africa

Michael Smith’s Sleep Sleep Review
Loyd Pollak’s Sleep Sleep Review

2010
‘Hail to The Thief’, Goodman Gallery, Cape Town, SA
‘In Other Words’, Goodman Gallery, Johannesburg, SA
Spier Contemporary, City Hall, Cape Town, SA
2009
‘Words!’, AVA, Cape Town, SA
‘Crocodile Tears II’, Goodman Gallery, Johannesburg, SA
‘Strengths and Convictions: The life and times of the South African Peace Prize Laureates’,
South African National Gallery, Cape Town, SA
2008
Johannesburg Art Fair, The Goodman Gallery, SA
2007
‘Turbulence’, HANGAR-7, Salzburg, Austria
‘Lift Off II’, Goodman Gallery Cape, Cape Town, SA
‘Crocodile Tears’, The Goodman Gallery Cape, Cape Town, SA
‘Cape 07’ Biennale, Cape Town, SA
2006
Art Basel Miami, USA: The Goodman Gallery
‘Sleep Sleep’, The Goodman Gallery, Johannesburg, SA and João Ferreira Gallery,
Cape Town, SA

2006
The Goodman Gallery
Johannesburg
South Africa
and
João Ferreira Gallery
Cape Town
South Africa

2005, 2006 2009 and 2011
National Sea Rescue Institute
Fund Raising Auctions

2002

Standard Bank Young Artist of the Year Award

National Arts Festival, Grahamstown, South Africa
SA King George VI Art Gallery, Port Elizabeth, South Africa
Tatham Art Gallery, Pietermaritzburg , South Africa
Durban Art Gallery, Durban, South Africa
Johannes Stegman Art Gallery, Bloemfontein, South Africa
South African National Gallery, Cape Town, South Africa
Standard Bank Gallery, Johannesburg, South Africa

Ivor Powell’s White Like Me Catalogue Essay

2003
Literally and Figuratively: Text and Image in South African Contemporary Art
Michael Stevenson Contemporary
Cape Town
South Africa

2001
The Bell-Roberts Contemporary
Cape Town
South Africa

2003
The Axis Gallery
New York
USA

2000
Bell-Roberts Contemporary
Cape Town
South Africa

The Goodman Gallery
Johannesburg
South Africa

2004
Min(e)dfields
Kunsthaus
Basseland
Switzerland

Ivor Powell’s I love Africa Catalogue Essay

Individual works from 1985 onwards

1997
30 Minutes
Robben Island Museum
Cape Town
South Africa
1999
Liberated Voices: Contemporary Art from South Africa
Museum for African Art
New York
USA

1997
Hänel Gallery
Cape Town
South Africa
and
The Goodman Gallery
Johannesburg
South Africa

1997
Smokkel (Curated by Brett Murray and Robert Wienek)
2nd Johannesburg Art Biennale Fringe
Johannesburg
South Africa

Peet Pienaar, Werner Vermeulen, Lisa Brice, Barend de Wet,
Ian Waldeck, Kevin Brand and Brett Murray

1996
Rembrandt van Rijn Gallery
Johannesburg
South Africa

Kendell Geers White Boy Sings The Blues Review

1995
Scurvy
Curated by Brett Murray and Kevin Brand
The Castle of Good Hope
Cape Town
South Africa

Barend de Wet, Wayne Barker, Kevin Brand, Lisa Brice,
Brett Murray, Kate Gottgens and Andrew Putter

Scurvy Review: Neville Dubow

The Laager was one of the fringe exhibitions at the
Johannesburg Art Bienalle in 1995. This was curated by Wayne Barker
and consisted of 21 shipping containers which were arranged
in the form of a traditional laager.

An extended version of this travelled to Chile the same year
and was exhibited at the Museum of Contemporary Art in Santiago.
This version was entitled “Springtime in Chile”.

1992
Other Visibilities
Newtown Gallery
Johannesburg
South Africa

1991
Passages and Transitions
Newtown Gallery
Johannesburg
South Africa
and
B and B (with Barend De Wet)
Association of Arts
Cape Town
South Africa

1985 to 1989
Masters Degree of Fine Arts
University of Cape Town
South Africa

A Group of Satirical Sculptures
Examining Social and Political Paradoxes
In the South African Context